
I confess it took me a long time to like James Bond. My father loved the films and used to watch them with my brother while I cowered in another room. Then I saw
GoldenEye and became a convert to Pierce Brosnan's tenure as 007, now that era is past and another begins. Daniel Craig takes over from Brosnan in an adaptation of Ian Fleming's first Bond novel,
Casino Royale, designed to kickstart the series.
I liked the Bond films of the Brosnan era because they weren't at all dangerous and had a running sense of tongue-in-cheek. Bond had gadgets, caused spectacular explosions and ended up bedding at least two bond girls. Not so in
Casino Royale. Frankly I was shocked by the darker tone, the violence and the raw thriller aspect which makes it unique from previous installments. Something which is no more apparent than in the extremely graphic torture scene where Bond's testicles are crushed by a swinging weight. It makes you wondered how he ever became the Lothario of later movies.
The decision to do a little retcon did irritate me. Of all the cast, only Judi Dench has returned as M but not the one we remember. The events of
GoldenEye have been swept under the carpet and this M has no time for Bond or his methods, she seems much colder than in the previous films but this matches the hard-as-nails approach of the new Bond.
The story picks up after James Bond has been assigned Double 0 status and sees him chasing a wanted man, a bomb maker named Mollaka, through the backstreets of Madagascar before shooting him dead in the middle of an embassy. This scene is quite stunning for its special effects and Bond's prey seems to defy gravity in a style better suited to a
wu xia film. But the plot itself is incomprehensible, with twists and turns which take Bond all over the world (as usual) before ending up in the Casino Royale to use his poker skills to beat Le Chiffre, an unpleasant banker with a bleeding eye
The style of
Casino Royale is different as well. Where as previous films have started with explosions or car-chases, Bond is shown completing his first two assassinations. The violence of these acts is made that more startling by the fact the entire scene is in black and white, with colour only returning during the classic - albeit revamped using CGI - gun barrel moment.
The title sequence is worth mentioning as it is radically different (and in my opinion a vast improvement) , focusing on the gambling theme which - for the purpose of the film - was swapped from baccarat to poker. Hence the opening scene features villains made up of hearts and clubs, people being killed by diamonds and spades and the Kings and Queens taking on the faces of Bond and Vesper. The choice of Chris Cornell's 'You Know My Name' might be seen by some as a radical departure from previous Bond films but does suit
Casino Royale to a tee.
As an attempt to re-energise a classic series,
Casino Royale has been a success. It's Bond with a darker edge that is sure to delight fans of the books whilst also introducing yet another generation to 007.